Prelude:
Māṇikkavācakar was born as Vātavūrar and later served as a minister in the court of the Pāṇḍya king. The king once entrusted him with wealth to purchase horses for the royal army. However, during the journey, Vātavūrar encountered Lord Śiva in the form of a guru at Tirupperunturai. Overwhelmed by divine grace, he used the king’s wealth to build a temple for Śiva instead of buying horses.
When the king demanded the horses, Śiva performed a miracle by transforming jackals into horses. Later, when the horses returned to their original form, the king misunderstood Māṇikkavācakar and punished him. Eventually, through further divine acts, the king realised the saint’s greatness. From then on, Vātavūrar became known as Māṇikkavācakar — “the one whose words are like gems.”
Māṇikkavācakar later travelled from shrine to shrine, singing hymns filled with intense devotion, surrender, and longing for Śiva.
Māṇikkavācakar was at Tillai Cidambaram, Lord Śiva came in the form of a scribe and asked him to recite his hymns. As Māṇikkavācakar narrated the Tiruvācakam, Śiva Himself wrote it down on palm leaves. At the end, He signed it as:
“Tiruc ciṟṟampalam uṭaiyār”
meaning, “The Lord of the sacred Cidambaram.”
When Māṇikkavācakar searched for the mysterious scribe, he had disappeared. The manuscript was later found inside the sanctum of Tillai Naṭarāja, bearing the divine signature. This is the traditional belief that makes Tiruvācakam unique — it is revered as a work not only sung by a saint, but also written and signed by Śiva Himself. .
The palm-leaf manuscript connected with this legend is preserved at the Tillai Naṭarāja Temple tradition / Ambalathadayar Madam near Puducherry, and it is said to be shown to the public only during Mahāśivarātri.
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